José James is at the forefront in jazz’s evolution
By John Devenish
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How bebop became big business in 1949
By Marc Myers
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Oliver Jones is a Canadian cultural and jazz treasure
By John Devenish
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Curtis Fuller is a father of the trombone’s jazz odyssey
By John Devenish
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In 1958, John Coltrane broke away from the pack
By Marc Myers
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How Bill Evans’s must-hear London concert finally made it to record
By Marc Myers
Marc Myers' JazzWax
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Terence Blanchard is a proud voice of the African diaspora
By John Devenish
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The Music Never Stops features Betty Carter at her stylistic peak
By Marc Myers
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In the days of U.S. segregation, Louis Armstrong broke through
By John Devenish
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Jazzmeia Horn is an ambassador for the riches of African-American artistry
By John Devenish
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Roxy Coss is empowering women with her potently political jazz
By Marc Myers
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With a mosaic of influences, Allison Au is quintessentially Canadian
By John Devenish
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6 of the best moments in JAZZ LIVES history
By Adam Feibel
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Melody Gardot’s boldest stand? Shying from perfection
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Here’s why Portugal is such a hot travel destination now
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For Jeremy Pelt, the trumpet acts like a voice
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Kamasi Washington brings together sounds and audiences of all kinds
By John Devenish
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How Miles Davis and Gerry Mulligan birthed what would become West Coast jazz
By Marc Myers
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John Beasley’s music reflects generosity of heart and soul
By John Devenish
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Remembering Ira Gitler, a scholar of post-war jazz
By Marc Myers
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The beautiful heartache in Billie Holiday’s singing is what captivated us all
By John Devenish
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The 7 best jazz soundtracks from Oscar-nominated films
By Thom Ernst
Features & Columns
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Why J. J. Johnson and Kai Winding’s J & K: Stonebone is such a rarity
By Marc Myers
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Marc Myers' JazzWax
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The Artistry of… Carmen McRae
By John Devenish
Features & Columns
The Artistry Of...