The sound of the swinging, groovy, jazz organ is like no other.
It is an unique set of voices in the world of the genres it has been a commanding part of; it has a whole bunch of deep, soul moving, things in it. There is groove of the blues and rhythm and blues, soul, jazz, funk and gospel. It’s a heart teaser that becomes a heartbeat all of its own. Inescapable, you have no choice but to feel
whether clipping along at breakneck speed or grinding slowly against everything you are and your ear, and where love touches deep, it shows no mercy. Scott colored with the Hammond B-3. It can be the whole band; it is like a being. It breathes, cries, dances, tickles, whispers, and moans.
It is unashamedly carnal, a little dangerous, and also inspiring, spiritual, and devotional. Scott touched with it, finding the instrument’s corners and not-so-hidden places, exposing those voices with an intent to connect and speak, embracing the diversity.
Voices tamed, she made them her own.