She is as at home with jazz’s early themes and lines as she is with its foundations, traditions, and structures and all of its early character.
She explores these places with a contemporary lens and lends a very unique to Madeleine-kind-of-Americana sensibility that solidifies and enhances the music’s definition by respecting its birthplace and all that has joined in on its evolutionary trails. Her voice is described as being a honeyed croon, It is an immediately recognizable personal sound that as her voice of expression and music making traits, plays, and establishes her own piece of the American soundscape.
Peyroux’s is, as at home with the music’s traditions, structures and character, a honeyed by her voice kind of artistry that never shies from exploration.