Interviews

What makes a great studio session? Kevin Breit explains

By Walter Venafro

2019 / 9 / 27

For Irma Thomas, New Orleans is on her side

By Ronnie Littlejohn

2019 / 9 / 24

Harold Mabern was a jazz giant with a ‘wonderful spirit’

By Walter Venafro

2019 / 9 / 23

How guitarist Eric St-Laurent taps the mysterious ways of the brain

By Brad Barker

2019 / 9 / 12

Michael League explains how Snarky Puppy keeps pushing forward

By Brad Barker

2019 / 9 / 4

How pianist Brian Dickinson was shaped by Bill Evans

By Brad Barker

2019 / 8 / 20

With the help of jazz icons, Brandi Disterheft is making her own legacy

By Brad Barker

2019 / 8 / 15

Mark Fewer wants to make Stratford one of Canada’s top destinations for jazz

By Heather Bambrick

2019 / 8 / 13

How Jodi Proznick became one of Canada’s best jazz bassists

By Brad Barker

2019 / 8 / 9

In Iraq, The War and Treaty’s Michael Trotter Jr. found ‘peace and solitude’ in music

By Ronnie Littlejohn

2019 / 7 / 2

How Scarlet Rivera became one of the most prolific violinists in music

By Laura Fernandez

2019 / 6 / 30

Why Curtis Nowosad feels it’s his duty to make politically pointed jazz

By Heather Bambrick

2019 / 6 / 26

How South Korean innovator Youn Sun Nah fell in love with jazz by accident

By Heather Bambrick

2019 / 6 / 25

Donna Grantis is bringing a rock ‘n’ roll attitude to jazz

By Brad Barker

2019 / 6 / 21

‘My identity is a fusion’: How Vernon Reid found his sound

By Brad Barker

2019 / 5 / 30

Kenny Garrett is taking jazz audiences on a journey that never ends

By Brad Barker

2019 / 5 / 23