Interviews

The not-so-secret stories of Kurt Elling

By Heather Bambrick

2020 / 1 / 21

Eighty years of gospel with the Blind Boys of Alabama

By Ronnie Littlejohn

2019 / 12 / 10

Booker T. Jones looks back on Stax and the Memphis sound

By Ronnie Littlejohn

2019 / 12 / 3

Dee Dee Bridgewater is exploring her Memphis roots

By Ronnie Littlejohn

2019 / 11 / 26

How Laila Biali found her artistic identity, and embraced it

By Brad Barker

2019 / 11 / 25

Terence Blanchard and the power of a story

By Ronnie Littlejohn

2019 / 11 / 12

What Harry Connick Jr. learned about himself while paying tribute to Cole Porter

By Walter Venafro

2019 / 11 / 5

Upholding the history of New Orleans with the Preservation Hall Jazz Band

By Ronnie Littlejohn

2019 / 10 / 22

Karin Plato on the sorrow and joy of music

By Heather Bambrick

2019 / 10 / 21

For 25 years, Galactic has been on a nonstop tour

By Ronnie Littlejohn

2019 / 10 / 15

Finding your ‘profound space’ with Chandrika Tandon and Kenny Werner

By Heather Bambrick

2019 / 10 / 15

Ivan Neville shares his stories of Keith Richards, James Booker and more

By Ronnie Littlejohn

2019 / 10 / 4

Florian Hoefner finds a new challenge in simplicity

By Brad Barker

2019 / 9 / 30

What makes a great studio session? Kevin Breit explains

By Walter Venafro

2019 / 9 / 27

For Irma Thomas, New Orleans is on her side

By Ronnie Littlejohn

2019 / 9 / 24

Harold Mabern was a jazz giant with a ‘wonderful spirit’

By Walter Venafro

2019 / 9 / 23

How guitarist Eric St-Laurent taps the mysterious ways of the brain

By Brad Barker

2019 / 9 / 12

Michael League explains how Snarky Puppy keeps pushing forward

By Brad Barker

2019 / 9 / 4

How pianist Brian Dickinson was shaped by Bill Evans

By Brad Barker

2019 / 8 / 20