From her start in Chilliwack and Vancouver, BC, to international tours, and sharing stages with jazz
luminaries, trumpeter, vocalist, composer, and bandleader Bria Skonberg is making a clear and
defined mark in the world of jazz. The JUNO-winner, who now calls NYC home, likely doesn’t have a
chance to spend much time there, these days, as she’s in demand, both as a versatile and tasteful
bandmember and as a leader, herself. After delighting Markham audiences at the jazz festival last
year, Bria is returning to the area, this time taking the stage at the Flato Markham Theatre tonight and she joined me on the line this week to tell us a little bit about what we can expect at tonight’s show.
Bria Skonberg rediscovers her artistry as trumpeter and vocalist
Bria Skonberg - Watch What Happens (Official Video)
Bria Skonberg - Markham Sunrise
Let’s start with your recent recordings: Brass and Indigo, showcasing your instrumental work and vocal work respectively. What made you decide to do two separate records, rather than one project that would highlight both?
Well, both albums came out this year, Brass in March and Indigo in July, and you know these things take time to plan so it was well over a year and a half ago where I was conceiving what would be my next move. As a mid-career artist, I was ready to sharpen the saw again, I really wanted to get back on my instrument and honestly explore them both individually. For so many years, people keep asking me, ‘Are you a trumpet player that sings or a singer that plays the trumpet?’ And my answer is I don’t know, I’m between the devil and the deep blue sea. So, in this way, it was an exploration of what I love about both instruments in order to challenge myself and that’s what happened.
In your Brass notes, you said that trumpet taught you “courage, discipline, humility, perseverance, and freedom.” Which one of these was the most challenging lesson for you? And what did you learn from your vocal work?
Well, the trumpet, by the nature, is a challenging instrument. It involves a lot of maintenance and it never gives you more than you put in. Trumpet players are supposed to have egos but really it keeps us humble. I work at it every day because it will move backwards if you don’t. But I think vocals are up on a higher scrutiny because everybody loves singing and more people connect with it so it’s important to keep it at a high level as well. So trumpet-wise, I’m doing my technical studies, I’m keeping it fresh by jamming with other people and listening, listening, listening. Vocally, I took a couple lessons along the way to get more into the methods and copying some of my favourites like Sarah Vaughan, there’s a track on there inspired by her. So, I guess you can say I’m still at a crossroads, I have to work at them both equally but it’s a pleasure to do so.
You’ve played on some of the most impressive stages and festivals in the world. What is it about playing in Canada that stands out for you?
The people definitely. I’ve been living in New York City for 15 years now and there’s nowhere like it in terms of the amount of challenge and pressure it puts on you which is why I’m here. But, man, I’m a proud Canadian , love Canada just as much now these days. It feels familiar, it feels kind and there’s a real sense of pride to it. I’m looking forward to coming back to Markham, I’ve been there a couple of times including last year. I even wrote a song about it because it was so delightful.
Bria Skonberg takes the stage at Flato Markham Theatre tonight at 8:00 pm. There are still a few tickets available, so grab yours quickly before they’re gone.