In September 1964, the Dave Brubeck Quartet was in Zurich, Switzerland, on one of its countless tours of Europe. The group—Brubeck on piano, Paul Desmond on alto saxophone, Eugene Wright on bass and Joe Morello on drums—appeared at the city’s Kongresshaus concert hall. Desmond’s Take Five had become a massive international hit for the group, and Dave was a crossover phenomenon, bridging the gap between emotional jazz and the rational classical tradition. On the road to promote his Time Changes album, released in early ’64, Dave and Desmond once again delivered a live-performance one-two punch.
Dave often favored rocking live audiences into a near-hypnotic state with his powerfully played rhythmic classical-inspired chords. When he finished his tumultuous improvisation, Desmond would slip in and provide an impossibly seductive melodic jazz solo on the high end of his alto register. This sparkling heavy-light change-up was in evidence during the Zurich concert, released recently in the States on CD thanks to the TCB label as Swiss Radio Days: Dave Brubeck Quartet, Zurich 1964 (cover at top).
Dave opens the concert with Audrey, an original he wrote with Desmond and had recorded 10 years earlier on Brubeck Time. The Zurich version is far superior, with its delicate, seductive touch and Desmond’s feathery articulation.
Dave’s Cable Car, a 6/8 waltz, was first recorded a year earlier in 1963 on Time Changes. On top of the restless melody, Morello plays brushes that emulate the sound of San Francisco’s cable cars. It’s pure joy.
The first time Dave recorded You Go to My Head in 1946 with his octet, it was executed as an optimistic ballad. Here, the quartet gives it a medium-tempo, walking-bass reading, with Desmond breaking your heart on his breezy solo. It’s one of the very best instrumental recordings of the song.
When Dave launches into Take Five, the audience responds with a tidal-wave roar. It’s a fairly standard rendition, but Morello steals the show with his extended, tour-de-force drum solo, unleashing everything he has. After all, he was responsible for keeping that 5/4 beat.
Koto Song was first recorded in the studio for Jazz Impressions of Japan in June 1964. Interestingly, Koto Song was the only tune from the album that became a standard. The album’s recording began in 1960, following Dave’s 1958 world tour for the U.S. State Department, which stopped off in Japan. But the album had to be sidelined for a few years due to touring and other “impressions” projects.
Pennies From Heaven receives a classic uptempo treatment by the quartet, with Dave hammering out chords before Desmond slides in with his parfait-like solo.
Morello’s Shim Wa was first recorded by the drummer for his own It’s About Time album in 1962 but not released on the album. The 6/8 waltz then wound up on the Dave Brubeck Quartet’s Time Changes album in 1963.
Like many albums in the Swiss Radio Days series, this one is essential listening if you love the Dave Brubeck Quartet. The sound is clear and the playing extraordinary. Dave was a marvel and, with Desmond, pure gold. The music remains timeless.
JazzWax tracks: You’ll find the CD version of Swiss Radio Days: Dave Brubeck Quartet, Zurich 1964 (TCB) here.
JazzWax clip: Here’s Audrey…
JazzWax note: To read my at-home interview with Dave Brubeck for The Wall Street Journal in 2010, go here.