Interviews

‘I am here, too’: Bettye LaVette takes her place in American music history

By Ronnie Littlejohn

2020 / 9 / 22

The fascinating history and musical culture of the Mardi Gras Indians

By Ronnie Littlejohn

2020 / 9 / 11

With new album, Billy Childs finds the difference between acceptance and resignation

By Brad Barker

2020 / 9 / 9

John Beasley channels the ‘courage’ of Thelonious Monk

By Brad Barker

2020 / 9 / 8

How martial arts taught Christian Sands the fundamentals of jazz

By Brad Barker

2020 / 9 / 5

Harold López-Nussa captures life in Havana with new album Te Lo Dije

By Brad Barker

2020 / 9 / 2

Brandi Disterheft talks new album Surfboard: ‘It’s very special’

By Brad Barker

2020 / 8 / 31

Bill Frisell on the musical ‘magic’ between people

By Brad Barker

2020 / 8 / 25

Renee Rosnes on the combined powers of Artemis

By Heather Bambrick

2020 / 8 / 17

Alex Cuba and the joyful beauty of simplicity

By Laura Fernandez

2020 / 8 / 11

Hilario Durán on the making of The Cuban soundtrack

By Laura Fernandez

2020 / 8 / 6

Dione Taylor and the power of the ‘Prairie blues’

By Brad Barker

2020 / 8 / 4

Angela Turone and Chris Platt share their love of Brazilian music

By Raina Hersh

2020 / 7 / 28

The endless rise and bottomless love of Gregory Porter

By Brad Barker

2020 / 6 / 24

Arturo O’Farrill muses on jazz, revolution and the American soul

By Laura Fernandez

2020 / 6 / 15

Vocal trio Duchess sing and laugh their way through hard times

By Brad Barker

2020 / 6 / 10

Christian McBride on racism, outrage, hope — and the beauty of jazz

By Brad Barker

2020 / 6 / 8

John Scofield and the one great, big guitar

By Brad Barker

2020 / 5 / 27

GoGo Penguin gain the confidence to explore infinity

By Brad Barker

2020 / 5 / 20

The women who raised Kandace Springs

By Brad Barker

2020 / 5 / 15

Kermit Ruffins on life in New Orleans: ‘I can’t imagine living anywhere else’

By Ronnie Littlejohn

2020 / 4 / 27

Around the world with Michael Kaeshammer

By Ronnie Littlejohn

2020 / 3 / 30